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DTSTART;TZID=Europe/London:20210626T120000
DTEND;TZID=Europe/London:20210704T180000
DTSTAMP:20260418T180138
CREATED:20210529T162606Z
LAST-MODIFIED:20220613T094513Z
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SUMMARY:2B HUMAN EXHIBITION : WILLIAM KENTRIDGE\, OTHER FACES
DESCRIPTION:William Kentridge is one of the world’s greatest living artists\, and has had an expansive career which has seen him design opera sets\, stage multi-disciplinary performances and create hard-hitting and poignant drawings and animations.  His work explores the legacy of apartheid\, as well as the human condition\, and the ever-repeating cycles of history and memory. \nOther Faces (2011) \nOther Faces is one of Kentridge’s cinematic animations and sees the return of character Soho Eckstein\, a character from previous films who is a Caucasian industrialist and land developer living in post-apartheid South Africa. This film is the newest addition to the artist’s Drawings for Projection series which began in 1989 with Johannesburg\, 2nd Greatest City after Paris.  \nSimilar to other works in Kentridge’s oeuvre\, Other Faces is extremely context dependent. Kentridge grew up amidst the racial turmoil in Johannesburg\, South Africa\, and it is this racial tension which informs his art as the film attempts to narrate the socio-political traumas experienced by individuals in the wake of apartheid and civil war. \nEckstein’s story in Other Faces begins when he is involved in a car accident with a black preacher in front of a black African church in downtown Johannesburg. The ensuing argument attracts a large angry crowd of churchgoers and the film fades into Eckstein’s recollections of the event and his interaction with the preacher.  Soon it becomes apparent that the argument between the two men is more a reflection of their fractured understanding of their country’s past rather than the actual incident. \nKentridge oscillates the narrative between the event and Eckstein’s thoughts using his unique style of animation. The artist only ever draws in charcoal with touches of blue and red pastel. His drawings are then progressively altered through erasure and overdrawing and given a few seconds on a 35 mm film camera. \n“Drawing is about fluidity and testing ideas\,” explains Kentridge. It is thought in slow motion and a process in which notions are constantly modified and consolidated. These realisations of the artist’s contemplations are almost impressionistic; frenzied and hurried\, they project his fleeting thoughts onto the viewer. The music\, provided by fellow South African Philip Miller\, evokes another layer of pathos\, as Eckstein’s story unfolds. \n  \nCOVID-19 AND GOVERNMENT GUIDELINES \nWe will be following Government guidelines for all events to make sure we provide a safe and enjoyable experience for everyone.  \nKeep up to date on our website as events may have to change or be cancelled should any new restrictions come into play on the day.  \nWe will email ticket holders of any changes to events. \nKeeping you safe \nOur policy is to: \n\nGive you a warm welcome at a safe distance \nUse signage to help you maintain social distance \nProvide hand sanitiser for you to use \nReduce capacity if required \nAsk you to limit social interactions before\, during and after the event \nEncourage audience members aged 11+ to wear a face covering
URL:https://gotbeaf.co.uk/event/2b-human-exhibition-william-kentridge-other-faces/
LOCATION:Boscombe Arts Depot (B.A.D.)\, Boscombe Arts Depot (B.A.D.)\, Bournemouth\, BH1 4BP\, United Kingdom
CATEGORIES:Art,BEAF 2021
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DTSTART;TZID=Europe/London:20210626T120000
DTEND;TZID=Europe/London:20210704T180000
DTSTAMP:20260418T180138
CREATED:20210528T153718Z
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SUMMARY:2B HUMAN EXHIBITION: DENISE WEBBER
DESCRIPTION:DENISE WEBBER : RECENT DRAWINGS \n“I hear the vixen in the early hours\, crying for a mate. It’s a primeval sound. She has no need of sanction or permission. But when I am drawing the sparrow\, I think of the sound of its wingbeats: somewhere between a murmur and a shiver. A bird\, being a creature of the air\, is like a cipher for the voice or the soul\, something fugitive. It can also evoke a message or a missile. Sometimes in my dreams I am bound to a wild animal and feel accountable for it\, as if it were a part of myself.” Denise Webber \nThe female body dominates in Denise Webber’s work. In her drawings she often represents it as nude or with ethereal fragments of fabric or other adornment. Thus freed from cultural or temporal attributes\, the woman’s body reveals its complex relationship to beauty\, agency and power. \nWebber works with a mix of film\, photography and drawing. In much of her work\, women overcome constraints and barriers to enter into spaces from which they have previously been barred. They partake in pleasurable acts of subversion\, or embody the pursuit of artistic creation.  \nIn her recent drawings\, the woman is visited by a wild creature\, a vixen\, a sparrow\, or sometimes a flying fox\, a species on the threshold of extinction. Some drawings celebrate the moment of touching an animal. Others suggest guardianship and ideas around shared origins and destinies. \nDenise Webber was brought up in Famagusta in Cyprus\, where the juxtaposition of hedonism with political violence led eventually to the outbreak of war\, shelling and invasion\, and her family was evacuated to the UK. Her work has been exhibited internationally\, including at Tate Modern London\, Moderna Museet Stockholm and the Australian Centre for Contemporary Art in Melbourne. It is represented in the Arts Council Collection and in the Tate archive. She lives and works in London and the South West UK. \nClick Here For Artist Website \n 
URL:https://gotbeaf.co.uk/event/2b-human-exhibition-denise-webber/
LOCATION:Boscombe Arts Depot (B.A.D.)\, Boscombe Arts Depot (B.A.D.)\, Bournemouth\, BH1 4BP\, United Kingdom
CATEGORIES:Art,BEAF 2021,BEAF Commission,Photography
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